![\"21368610_857093284465319_6061208876034797273_o\"](\"https:\/\/i0.wp.com\/sabinabranduse.com\/wp-content\/uploads\/2018\/03\/21368610_857093284465319_6061208876034797273_o.jpg?resize=422%2C597&ssl=1\")
<\/p>\nTe-ai \u00eentrebat vreodat\u0103 cum arat\u0103 pentru un actor ziua \u00een care are spectacol? Ei bine, eu am citit, auzit \u0219i v\u0103zut parcursul multor actori \u00een devenirea lor scenic\u0103, iar acum \u00eemp\u0103rt\u0103\u0219esc cu voi experien\u021ba mea din ziua celui mai drag spectacol: “Wolfgang”, crea\u021bia lui Radu Afrim de la Teatrul Tineretului, Piatra Neam\u021b.<\/p>\n
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\u00cen ziua fiec\u0103rei premiere, so\u021bul meu spune c\u0103 m\u0103 transform din prin\u021bes\u0103 \u00een balaur. De ce? Pentru c\u0103 emo\u021biile dep\u0103\u0219esc cotele normale,\u00a0 pentru c\u0103 nu vorbesc, pentru c\u0103 sunt irascibil\u0103, pentru c\u0103 nu m\u0103 odihnesc suficient \u00een noaptea dinainte (visez replici, momente din spectacol sau chiar am co\u0219maruri pornite din teama c\u0103 o s\u0103 uit s\u0103 zic sau fac ceva) \u0219i pentru c\u0103 m\u0103 \u00eentreb dac\u0103 o s\u0103 ajung\u0103 la public povestea pe care o spunem, dac\u0103 o s\u0103 rezoneze cu ea. Din aceast\u0103 privin\u021b\u0103,\u00a0 pot spune \u00een gura mare c\u0103 spectacolul “Wolfgang” e o reu\u0219it\u0103: la fiecare reprezenta\u021bie v\u0103d \u00een sal\u0103 spectatori veni\u021bi s\u0103-l revad\u0103 pentru a 5-a, a 6-a, a 10 oar\u0103.<\/p>\n
La ultima reprezenta\u021bie, c\u00e2nd \u00een public a fost comisia UNITER (venit\u0103 s\u0103 vad\u0103 “Wolfgang” ca urmare a nominaliz\u0103rii artistului Romulus Boicu la categoria “cea mai bun\u0103 scenografie”), dorin\u021ba de a imortaliza fiecare etap\u0103 a transform\u0103rii mele din Sabina \u00een Sabri, personajul afrimian, mi-a fost \u00eendeplinit\u0103.<\/p>\n
Br\u00e2ndu\u0219a B\u0103lan, regizor \u0219i fotograf, a venit \u00een \u00eent\u00e2mpinarea mea cu aceast\u0103 propunere pe care m\u0103 chinuiam de vreo 3 luni s\u0103 o pun, de una singur\u0103, \u00een aplicare. G\u00e2nd la g\u00e2nd cu bucurie! Ne-am \u00eent\u00e2lnit \u00eent\u00e2i la “Atelier 3\/8”, barul actorilor pietreni, pentru a discuta detaliile. I-am dat m\u00e2n\u0103 liber\u0103 dup\u0103 ce mi-a vorbit \u0219i ar\u0103tat \u00een ce zon\u0103 vrea s\u0103 mearg\u0103, inspira\u021bie fiindu-i artistul foto Annie Leibovitz<\/a>, unul dintre cei mai bine cota\u021bi fotografi ai lumii. A doua zi, ne-am \u0219i apucat de treab\u0103.<\/p>\n Era ora 15:00, 18 martie, iar ninsoarea \u00ee\u0219i f\u0103cea de cap la poalele Pietricic\u0103i. Cl\u0103direa teatrului cu aspect de castel a\u0219tepta s\u0103 se \u00eensufle\u021beasc\u0103 \u0219i \u00een seara asta, deschiz\u00e2nd larg por\u021bile spectatorilor curio\u0219i.<\/p>\n Ne-am \u00eent\u00e2lnit \u00een fa\u021ba intr\u0103rii actorilor. Chiar dac\u0103 ajunsese cu c\u00e2teva minute \u00een urm\u0103, Br\u00e2ndu\u0219a nu \u0219i-a permis s\u0103 intre, a r\u0103mas a\u0219tept\u00e2ndu-m\u0103 \u00een frig, coco\u0219at\u0103 de rucsacul \u00eenc\u0103rcat cu aparatur\u0103 foto.<\/p>\n N-am piedut deloc vremea. Am f\u0103cut 2 pa\u0219i, “umilindu-m\u0103”, cum spunea Coca Bloss, plec\u00e2ndu-mi capul \u00een fa\u021ba u\u0219ii mult prea scunde care duce \u00een interiorul teatrului, ca o u\u0219\u0103 secret\u0103. \u021aac, \u021bac, primul cadru a \u0219i fost imortalizat. Am intrat, m-am semnat \u00een condic\u0103, am aruncat o privire fix\u0103 spre avizier, nimic nou, dup\u0103 care m-am \u00eencol\u0103cit pe scara spiralat\u0103 care urca la cabin\u0103. \u021aac, \u021bac, iat\u0103 \u0219i cadrul cu num\u0103rul 2.<\/p>\n \u00cencep prin a-mi \u00een\u0219ira pe m\u0103su\u021ba cu oglind\u0103 toate cele necesare preg\u0103tirii: textul, fardurile, parfumul, demachiantul, \u0219erve\u021belele, guma de mestecat, lenjeria intim\u0103 a personajului, ciocolata \u0219i pet-ul de 2 l de ap\u0103. \u00cen timpul fiec\u0103rui spectacol beau 2 l de ap\u0103 \u00een care picur sucul unei l\u0103m\u00e2i zemoase. Apa m\u0103 lini\u0219te\u0219te \u0219i-mi \u00eendep\u0103rteaz\u0103 senza\u021bia de gur\u0103 uscat\u0103 dat\u0103 de emo\u021biile dinaintea \u00eenceperii spectacolului.<\/p>\n Apoi \u00eemi schimb hainele de strad\u0103 cu cele de scen\u0103, mai precis cu primul dintre cele 8 costume pe care le port \u00een “Wolfgang”. Erika Marton a avut grij\u0103 s\u0103-mi aleag\u0103 costume \u00een care s\u0103 m\u0103 simt foarte confortabil, iar Lia, cabiniera, le spal\u0103, calc\u0103 \u0219i aga\u021b\u0103 tacticos pe umera\u0219ele aliniate \u00een cuierul orizontal . \u00cemi scot \u00eensemnele Sabinei-om (cerceii mici, br\u0103\u021bara, inelele, verigheta) \u0219i pun \u00een loc o pereche grea de cercei turquoise mai mari dec\u00e2t o moned\u0103 de 50 bani. \u00cenc\u0103 p\u0103strez pe corp v\u00e2n\u0103t\u0103ile r\u0103mase de la spectacolul jucat cu 2 zile \u00een urm\u0103, “Anul disp\u0103rut.1996”<\/a>, de astea nu m\u0103 pot descotorosi.<\/p>\n Apoi trec printr-o lectur\u0103 fugitiv\u0103 a textului, cu un mic moment de nostalgie legat de desenul pe care mi l-a f\u0103cut C\u0103t\u0103lina B\u0103l\u0103l\u0103u, interpreta fiicei mele, Fabiana. \u00cel p\u0103strez a\u0219a cum p\u0103streaz\u0103 o mam\u0103 foaia m\u0103zg\u0103lit\u0103 primit\u0103-n dar de la copilul ei.<\/p>\n Dup\u0103 ce am terminat schimbul de haine, \u00eemi iau cutia \u00een care am \u00eengr\u0103m\u0103dit mici elemente de costum- ciorapi, chilot de protec\u021bie, bro\u0219e, agrafe, o sticlu\u021b\u0103 cu \u021buic\u0103 primit\u0103 de la tata cu care-mi stropesc m\u00e2inile \u0219i inund gura \u00eenainte de scena de be\u021bie, burta fals\u0103 de gravid\u0103 etc. \u0219i merg spre scen\u0103.<\/p>\n \u00cemi aranjez, \u00een spa\u021biul minuscul din spatele paravanului care ascunde costumele, o m\u0103su\u021b\u0103 \u0219i 3 taburete (pe care st\u0103m \u00eenghesui\u021bi, \u00een timpul \u00eentregului spectacol, eu, Cristina Mih\u0103ilescu \u0219i Mircea Postelnicu, schimb\u00e2ndu-ne costumele la gr\u0103mad\u0103), toate cele necesare.<\/p>\n \u00cemi aranjez cronologic costumele pe cuiele b\u0103tute \u00een paravan, sper\u00e2nd s\u0103 nu cad\u0103 \u00een timpul unei scene, deranj\u00e2nd colegii, \u0219i verific recuzita consumabil\u0103: saco\u0219a \u00eendesat\u0103 cu leg\u0103turi proaspete de p\u0103trunjel \u00een care pitesc o foarfec\u0103 de gr\u0103din\u0103 \u0219i kendama, sticla de vin umplut\u0103 p\u00e2n\u0103 mai jos de g\u00e2t cu suc de vi\u0219ine pe post de vin ro\u0219u- al\u0103turi de care st\u0103 cu\u021bitul bont cu care-mi amenin\u021b so\u021bul scenic \u00een primele minute din spectacol \u0219i, nu \u00een ultimul r\u00e2nd, cur\u0103\u021b cartofii pe care-i tai c\u00e2nd m\u0103 coco\u021b pe Trabant, \u00een a 2-a mea scen\u0103. Br\u00e2ndu\u0219a mi-a recunoscut ulterior c\u0103 a r\u0103mas \u00eenm\u0103rmurit\u0103 c\u00e2nd m-a v\u0103zut f\u0103c\u00e2nd asta. Practic, a v\u0103zut un moment de extra text al personajului- o fr\u00e2ntur\u0103 din via\u021ba lui ascuns\u0103 publicului.<\/p>\n Dup\u0103 ce \u00eenchei \u0219i aceast\u0103 etap\u0103, fac o prob\u0103 de microfon \u00eenainte s\u0103 apar\u0103 Andrei Merchea. El vine mereu la ora 16 pentru a-\u0219i repeta fragmentele muzicale. Dup\u0103 ce primesc de la Viorel Murariu, sunetistul spectacolului, confirmarea faptului c\u0103 se aude bine, pornesc spre cabina de machiaj.<\/p>\n Aici m\u0103 a\u0219teapt\u0103 Lili, responsabil\u0103 pentru coafura mea supradimensionat\u0103. \u00cen timp ce-i face vr\u0103ji p\u0103rului meu, \u00eenfoindu-l peste poate, eu \u00eemi fac machiajul: crem\u0103, primer, fond de ten, pudr\u0103, blush, pudr\u0103 alb\u0103 \u00een jurul ochilor- pe care o \u00eendep\u0103rtez dup\u0103 ce am terminat de aplicat fardul de pleoape de un verde smarald, \u0219i tu\u0219e groase peste spr\u00e2ncenele mele mult prea pensate. Acesta este momentul \u00een care \u00eencep, pe nesim\u021bite, s\u0103 cad \u00een mine. Ac\u021biunea mecanic\u0103 de aplicare a machiajului las\u0103 loc g\u00e2ndurilor s\u0103 se metamorfozeze. Grijile cotidiene sunt \u00eenlocuite de problemele cu care se confrunt\u0103 personajul meu pe parcursul celor 2 ore \u0219i 20 minute de spectacol: o rela\u021bie lipsit\u0103 de afeciune \u0219i satisfac\u021bii intime cu so\u021bul meu, un lan\u021b de ne\u00een\u021belegeri cu fiica mea, Fabiana, aflat\u0103 la v\u00e2rsta adolescen\u021bei,<\/a> derapajul \u00een depresie, consolarea venit\u0103 dintr-un r\u00e2nd prea lung de pahare cu vin, micile pl\u0103ceri g\u0103site \u00een gr\u0103din\u0103rit \u0219i plantarea florilor pe care nu le rup niciodat\u0103, nu-mi place s\u0103 “\u00eempodobesc casa cu ele” etc.<\/p>\n Multe \u021bac-\u021bac-uri pe care nici nu le mai aud.<\/p>\n C\u00e2nd ies de la Lili, p\u0103rul este impecabil, \u00eens\u0103 fa\u021ba-i c\u0103zut\u0103, iar ochii \u00eencercui\u021bi de griji \u0219i nelini\u0219ti. \u00cei mul\u021bumesc, \u00eemi z\u00e2mbe\u0219te \u0219i \u00eemi ureaz\u0103 baft\u0103, mereu cu acea\u0219i c\u0103ldur\u0103 m\u0103moas\u0103 \u00een voce.<\/p>\n Dup\u0103 o scurt\u0103 discu\u021bie cu Lucifer, cum \u00eei zic eu (Lucian Damian, regizorul tehnic), afl\u0103m c\u0103 nu putem ajunge la geamul din turnul teatrului f\u0103r\u0103 s\u0103 m\u0103 coco\u021b pe o scar\u0103 \u0219i f\u0103r\u0103 s\u0103 stau proptit\u0103 pe un dulap care m\u0103 ridic\u0103 la \u00een\u0103l\u021bimea geaml\u00e2cului. Eu accept provocarea de a ob\u021bine astfel fotografia imaginat\u0103, \u00eens\u0103 Br\u00e2ndu\u0219a nu e de acord s\u0103-mi asum acest risc. Am cedat. \u00cen b\u0103t\u0103lia dintre doi berbeci, e bine ca unul s\u0103 renun\u021be c\u00e2t \u00eenc\u0103 se mai poate. \ud83d\ude42<\/p>\n R\u0103t\u0103cim prin foaier, dup\u0103 care ne vine ideea de a face fotografia \u00een condi\u021bii mult mai sigure. Br\u00e2ndu\u0219a iese \u00een curtea interioar\u0103, iar eu r\u0103m\u00e2n \u00een fa\u021ba unei ferestre mari cu alura unui bolnav claustrat \u00eentr-un ospiciu. O imagine sugestiv\u0103 pentru mama depresiv\u0103 pe care o joc.<\/p>\n Cobor sc\u0103rile \u00eencovoiate p\u00e2n\u0103 la primul nivel, deschid u\u0219a pe care scrie “Scen\u0103”, ajung \u00een holul mic cu 4 u\u0219i \u0219i o redeschid pe cea inscrip\u021bionat\u0103 “Cabina 3” .\u00a0M\u0103 a\u0219ez din nou la m\u0103su\u021ba mea cu vedere la Parcul Tineretului \u0219i citesc pe \u00eendelete textul \u0219i \u00eensemn\u0103rile f\u0103cute pe el: indica\u021bii regizorale, ac\u021biuni \u0219i mi\u0219c\u0103ri scenice, nota\u021bii personale legate de g\u00e2ndurile personajului, interpretare, costume \u0219i recuzit\u0103. Este 16:10.<\/p>\n Br\u00e2ndu\u0219a \u00eemi respect\u0103 nevoia nespus\u0103 de a sta c\u00e2teva minute singur\u0103 \u00eenainte de \u00eenceperea repeti\u021biei, a \u0219nurului tehnic, mai precis. Ce \u00eenseamn\u0103 \u0219nur tehnic? C\u0103 facem \u00een 75 minute toate scenele care alc\u0103tuiesc spectacolul de 140 minute, dar nu la intensitate, ci pe repede \u00eenainte, \u00een a\u0219a fel \u00eenc\u00e2t cei doi Viorei s\u0103 poat\u0103 trece prin fiecare situa\u021bie de sunet \u0219i lumini.<\/p>\n \u00cenainte s\u0103-\u0219i fac\u0103 intrarea \u00een cabin\u0103 Cristina \u0219i Lori (Loredana Grigoriu-interpreta personajului “mama lui Wolfgang”), apuc s\u0103 \u00eemi fac \u00eenc\u0103lzirea fizic\u0103 \u0219i vocal\u0103- rot\u0103ri de cap, bra\u021be, bazin, genunchi, glezne, genuflexiuni, fand\u0103ri, aplec\u0103ri \u0219i ridic\u0103ri pe timpi, plus:<\/p>\n “UX, XU, RAR, RER, RIR, ROR, RUR, R\u0102R, R\u00c2R, SAS, SES, SIS, SOS, SUS, S\u0102S, S\u00c2S<\/p>\n Sacadat \u0219i ritmat am plecat hot\u0103r\u00e2t s\u0103 str\u0103bat \u00eenc\u00e2ntat acel hat blestemat…<\/p>\n Iat\u0103-l, blestemul s-a-mplinit, \u00eenzecit, \u00eensutit, \u00eenmiit…<\/p>\n Mmm, rrr, a-a-a-a-a, e-e-e-e-e, i-i-i-i-i, o-o-o-o-o, u-u-u-u-u, \u0103-\u0103-\u0103-\u0103-\u0103, \u00ee-\u00ee-\u00ee-\u00ee-\u00ee…”<\/p>\n \u00cencepe forfota, difuzorul se treze\u0219te vorbind, iar Lucifer anun\u021b\u0103 \u00eenceperea repeti\u021biei.<\/p>\n Br\u00e2ndu\u0219a \u0219i-a g\u0103sit un loc \u00een sala goal\u0103, de unde a f\u0103cut c\u00e2teva capturi foto. \u0218nurul a curs f\u0103r\u0103 probleme sub urechea vigilent\u0103 a lui Dan Covrig, sufleurul teatrului. Odat\u0103 \u00eencheiat\u0103 repeti\u021bia tehnic\u0103, ne-am \u00eempr\u0103\u0219tiat ca dup\u0103 un bob\u00e2rnac fiecare \u00een cabina lui pentru ultimele preg\u0103tiri: c\u00e2teva cuburi de ciocolat\u0103, o pudr\u0103, 2 pufuri de parfum, \u00eenc\u0103 2-3 exerci\u021bii de dic\u021bie, citirea sms-urilor cu g\u00e2nduri de sus\u021binere din partea so\u021bului, schimbarea pantofilor \u0219i gata.<\/p>\n Cu 10 minute \u00eenainte s\u0103 se fac\u0103 accesul publicului \u00een sal\u0103, cortina se \u00eenchide, ma\u0219ina de fum \u00eencepe s\u0103 clocoteasc\u0103, noi ne \u00eembr\u0103\u021bi\u0219\u0103m, facem schimb de ur\u0103ri (baft\u0103, merde sau lucruri asem\u0103n\u0103toare) \u00eentre noi, dar \u0219i cu echipa tehnic\u0103 \u0219i ne a\u0219ez\u0103m pe pozi\u021bii, arunc\u00e2nd o ultim\u0103 privire la decor \u0219i recuzit\u0103.<\/p>\n C\u00e2nd Lucifer \u00eentreab\u0103: “Sunte\u021bi gata? D\u0103m drumul la spectacol, baft\u0103 tuturor!”, parc\u0103 \u00eencep s\u0103 ne asude palmele, iar inimile s\u0103 o ia la galop. Luci se uit\u0103 \u00een podul scenei, unde b\u0103ie\u021bii de la tehnic stau c\u0103\u021b\u0103ra\u021bi la vreo 8 m \u00een\u0103l\u021bime, preg\u0103ti\u021bi pentru manevre, \u00eei face semn \u0219efului ma\u0219inist, Gabi, s\u0103 mai dea un jet de fum, le spune \u00een sta\u021bie celor 2 Viorei s\u0103 dea anun\u021bul cu \u00eenchiderea telefoanelor \u0219i s\u0103 sting\u0103 lumina \u00een sal\u0103, iar domnului Iulian s\u0103 fie preg\u0103tit s\u0103 trag\u0103 cortina. Pfuuu! Lili ne \u0219opte\u0219te \u0219i ea baft\u0103 din fa\u021ba co\u0219meliei \u00een care e regia tehnic\u0103. To\u021bi avem emo\u021bii \u0219i ne dorim \u00eenc\u0103 un spectacol bun care s\u0103 ajung\u0103 la fiecare om din public.<\/p>\n Br\u00e2ndu\u0219a a r\u0103mas \u00een sal\u0103 ca spectator, am decis s\u0103 nu fac\u0103 fotografii \u00een timpul reprezenta\u021biei pentru a nu alterna fonic experien\u021ba spectatorilor. Gata. 3, 2, 1 \u0219i…\u00cencepem!<\/p>\n Prima dat\u0103 c\u00e2nd deschid gura e la doar c\u00e2teva momente dup\u0103 ce se casc\u0103 cortina care las\u0103 s\u0103 se vad\u0103 sala plin\u0103. C\u00e2nt\u0103m \u00een cor:<\/p>\n “Dragostea mea nu-i cacealma<\/p>\n A\u0219 vrea s-o sim\u021bi pe pielea ta…<\/p>\n A-a-a-a-a-a<\/p>\n Las\u0103 c\u0103 vezi, timpul \u021bi-l pierzi,<\/p>\n Nu m\u0103 ascul\u021bi, tu m\u0103 insul\u021bi…<\/p>\n A-a-a-a-a-a…”<\/p>\n \u0218i imediat dup\u0103 \u00eencepe un joc de familie care se transform\u0103 rapid \u00eentr-unul violent cu accente depresive.<\/p>\n <\/p>\n Dup\u0103 o prim\u0103 scen\u0103 de dec\u0103dere \u0219i alcoolism, urmeaz\u0103 una de luciditate, singura, de altfel- cea \u00een care pot fi v\u0103zut\u0103 rela\u021bion\u00e2nd firesc \u0219i cald, implicat\u0103 fiind \u00eentr-o ac\u021biune casnic\u0103: t\u0103ierea cartofilor pentru preg\u0103tirea mesei.<\/p>\n A 6-a scen\u0103 a spectacolului m\u0103 prinde \u00eempleticindu-m\u0103 de la prea mult vin, imagine care nu face cinste niciunei mame, \u00eentr-un moment ridicol care-o determin\u0103 pe fiica mea s\u0103 se ru\u0219ineze cu mine. (foto: Romulus Boicu)<\/p>\n <\/p>\n La c\u00e2teva minute scenice distan\u021b\u0103, fiica mea este dat\u0103 disp\u0103rut\u0103. Disperarea m\u0103 pietrific\u0103.<\/p>\n Din acest moment, divor\u021bul este iminent, iar sentimentul de vinov\u0103\u021bie cople\u0219itor. Alcoolul\u00a0 \u00ee\u0219i g\u0103se\u0219te perechea- antidepresivele, \u00eemi pierd job-ul, m\u0103 \u00eenchid \u0219i mai mult, m\u0103 \u00eenstr\u0103inez cu totul de Leo, so\u021bul meu interpretat de Mircea Postelnicu, pe care \u00eel \u0219i p\u0103r\u0103sesc: “Leo, plec, te p\u0103r\u0103sesc, aici totul \u00eemi aduce aminte de Fabi… Ce-ai f\u0103cut ca s-o g\u0103se\u0219ti? M\u0103 duc \u00eentr-un ora\u0219 mai mare s-o caut, nu \u0219tiu care, dar o s\u0103-\u021bi scriu imediat ce o g\u0103sesc”. (foto 1:Mihaela Jipa, foto 2, 3: Romulus Boicu)<\/p>\n Sabri mai apare apoi \u00een imagina\u021bia fetei r\u0103pite, la scena de \u00eenmorm\u00e2ntare a c\u0103l\u0103ului ei. Tot elegant\u0103 \u0219i \u00eenv\u0103luit\u0103 de aburii alcoolului, a\u0219a cum m-a p\u0103strat mereu \u00een amintire fiica mea.<\/p>\n De aici la reg\u0103sire nu mai e mult, teatral vorbind, \u00eens\u0103 faptul c\u0103 o mai pot str\u00e2nge \u00een bra\u021be dup\u0103 8 ani de absen\u021b\u0103 e greu de pus \u00een cuvinte. Cu starea asta de emo\u021bie care s-a \u00eentins de pe scen\u0103 \u00een sal\u0103 \u0219i \u00eenapoi, adun\u00e2nd lacrimile, suspinele \u0219i temerile celor care au venit s\u0103 ne vad\u0103, facem o reveren\u021b\u0103 \u0219i \u00eenc\u0103 una, sur\u00e2z\u00e2nd de c\u00e2te ori suntem rechema\u021bi la buza scenei de atingerea zgomotoas\u0103 a palmelor care ne traduce aprecierea publicului.<\/p>\n Dup\u0103 cum vede\u021bi, Br\u00e2ndu\u0219a a scos din m\u00e2nec\u0103 aparatul pentru un penultim cadru… C\u0103ci ultimul…<\/p>\n …m\u0103 g\u0103se\u0219te scurs\u0103 pe treptele care-mi erau sprijin \u00een scena jucat\u0103 cu 2 ore \u00een urm\u0103, \u00een fa\u021ba unei s\u0103li pline. Am r\u0103mas singur\u0103 \u00een fa\u021ba unei s\u0103li care p\u0103streaz\u0103 energia fiec\u0103rui spectator care a mers cu noi de m\u00e2n\u0103 \u00een povestea asta geam\u0103n\u0103 c-un thriller.<\/p>\n Echipa tehnic\u0103, \u00een forfota str\u00e2ngerii decorului, las\u0103 urme cu chip de fum \u00een aceast\u0103 ultim\u0103 imagine. Eu merg \u00eencet spre cabin\u0103, t\u00e2r\u00e2ndu-mi sufletul \u00eencercat greu \u00een aceast\u0103 poveste, \u00eendep\u0103rtez machiajul, \u00eemi potolesc p\u0103rul, \u00eemi schimb rochia p\u0103tat\u0103 de lacrimi, \u00eemi pun \u00eenapoi verigheta \u0219i m\u0103 \u00eentorc \u00een “Atelier 3\/8” unde \u00eencepe o alt\u0103 poveste: cea dintre Sabina \u0219i public.<\/p>\n <\/p>\n P.S.: Br\u00e2ndu\u0219a, \u00ee\u021bi \u00eemp\u0103rt\u0103\u0219esc emo\u021bia scrierii pove\u0219tii din 18 martie \u0219i \u00ee\u021bi mul\u021bumesc pentru grija, respectul \u0219i candoarea de copil cu care m-ai \u00eenso\u021bit \u00een aceast\u0103 c\u0103l\u0103torie profesional\u0103. Sper s\u0103 ne mai aduc\u0103 \u00eempreun\u0103 \u0219i alte pove\u0219ti.<\/p>\n Las aici un alt unghi din care s-a v\u0103zut povestea:\u00a0https:\/\/motionarthoughts.weebly.com\/blog\/personaj-sabrina-wolfgang<\/a>.<\/p>\n Iar pentru a \u00een\u021belege lumea afrimian\u0103 pe care a creat-o Radu la Teatrul Tineretului, poate mai g\u0103si\u021bi c\u00e2teva minute \u0219i citi\u021bi aici\u00a0<\/a>povestea din timpul repeti\u021biilor.<\/p>\n Tot nu v-a\u021bi convins c\u0103 merit\u0103 s\u0103 veni\u021bi p\u00e2n\u0103 \u00een Piatra Neam\u021b? \u00cencerca\u021bi atunci \u0219i trailer-ul: https:\/\/www.youtube.com\/watch?v=RDX-cqWuk-E.<\/a><\/p>\n Bilete g\u0103si\u021bi aici:\u00a0http:\/\/www.teatrultineretuluint.ro\/main\/blog-template-2\/events\/<\/p>\n <\/p>\n Distribu\u021bia:<\/strong><\/p>\n Fabiana \u2013\u00a0C\u0102T\u0102LINA B\u0102L\u0102L\u0102U<\/a>\u00a0<\/strong>![\"MAT_7912\"](\"https:\/\/i0.wp.com\/sabinabranduse.com\/wp-content\/uploads\/2018\/03\/mat_7912.jpg?resize=1170%2C762&ssl=1\")
<\/p>\n![\"MAT_7933\"](\"https:\/\/i0.wp.com\/sabinabranduse.com\/wp-content\/uploads\/2018\/03\/mat_7933.jpg?resize=300%2C197&ssl=1\")
Am ajuns prima. De obicei ajung prima pentru c\u0103 m-am obi\u0219nuit, \u00eenc\u0103 din facultate, ca \u00een zilele de spectacol s\u0103 merg la teatru cu 4 ore \u00eenainte. \u00cemi place s\u0103-mi iau timp, s\u0103 fac totul pe \u00eendelete, s\u0103 nu m\u0103 gr\u0103besc nicio secund\u0103, s\u0103 m\u0103 acomodez cu spa\u021biul, cu decorul, cu machiajul, cu costumul… Din acest moment, nu mai vorbesc dec\u00e2t strictul necesar. \u00cemi face bine lini\u0219tea, m\u0103 ajut\u0103 s\u0103 m\u0103 concentrez \u0219i s\u0103-mi conserv energia. Br\u00e2ndu\u0219a, dintr-un respect f\u0103r\u0103 magini pentru mine, munca mea \u0219i teatru, \u00een general, \u00eemi las\u0103 senza\u021bia c\u0103 sunt urm\u0103rit\u0103 de o camer\u0103 ascuns\u0103, nu de un fotograf. Doar aparatul ei vorbe\u0219te…o limb\u0103 monosilabic\u0103: \u021bac-\u021bac.<\/p>\n![\"MAT_7943\"](\"https:\/\/i0.wp.com\/sabinabranduse.com\/wp-content\/uploads\/2018\/03\/mat_7943.jpg?resize=1170%2C706&ssl=1\")
<\/p>\n![\"MAT_7953\"](\"https:\/\/i0.wp.com\/sabinabranduse.com\/wp-content\/uploads\/2018\/03\/mat_7953.jpg?resize=1170%2C753&ssl=1\")
<\/p>\n ![\"3\"](\"https:\/\/i0.wp.com\/sabinabranduse.ro\/blog\/wp-content\/uploads\/2018\/03\/31.jpg?w=1166&h=1660&ssl=1\" "\\"3\\"")
<\/a> <\/div> <\/div> <\/div> <\/div>\n![\"IMG_5684\"](\"https:\/\/i0.wp.com\/sabinabranduse.com\/wp-content\/uploads\/2018\/03\/img_5684.jpg?resize=1170%2C838&ssl=1\")
<\/p>\n ![\"MAT_8014\"](\"https:\/\/i0.wp.com\/sabinabranduse.ro\/blog\/wp-content\/uploads\/2018\/03\/mat_8014-scaled.jpg?w=581&h=387&ssl=1\" "\\"MAT_8014\\"")
<\/a> <\/div> <\/div> ![\"MAT_8013\"](\"https:\/\/i0.wp.com\/sabinabranduse.ro\/blog\/wp-content\/uploads\/2018\/03\/mat_8013-scaled.jpg?w=581&h=387&ssl=1\" "\\"MAT_8013\\"")
<\/a> <\/div> <\/div> <\/div> <\/div>\n ![\"MAT_8019\"](\"https:\/\/i0.wp.com\/sabinabranduse.ro\/blog\/wp-content\/uploads\/2018\/03\/mat_8019-scaled.jpg?w=555&h=832&ssl=1\" "\\"MAT_8019\\"")
<\/a> <\/div> <\/div> ![\"IMG_5712\"](\"https:\/\/i0.wp.com\/sabinabranduse.ro\/blog\/wp-content\/uploads\/2018\/03\/img_5712-scaled.jpg?w=607&h=393&ssl=1\" "\\"IMG_5712\\"")
<\/a> <\/div> ![\"2\"](\"https:\/\/i0.wp.com\/sabinabranduse.ro\/blog\/wp-content\/uploads\/2018\/03\/2-scaled.jpg?w=607&h=435&ssl=1\" "\\"2\\"")
<\/a> <\/div> <\/div> <\/div> <\/div>\n![\"MAT_8006\"](\"https:\/\/i0.wp.com\/sabinabranduse.com\/wp-content\/uploads\/2018\/03\/mat_8006.jpg?resize=1170%2C777&ssl=1\")
<\/p>\n ![\"IMG_5668\"](\"https:\/\/i0.wp.com\/sabinabranduse.ro\/blog\/wp-content\/uploads\/2018\/03\/img_5668-scaled.jpg?w=785&h=508&ssl=1\" "\\"IMG_5668\\"")
<\/a> <\/div> <\/div> ![\"MAT_7961](\"https:\/\/i0.wp.com\/sabinabranduse.ro\/blog\/wp-content\/uploads\/2018\/03\/mat_7961-1-scaled.jpg?w=377&h=252&ssl=1\" "\\"MAT_7961")
<\/a> <\/div> ![\"MAT_7967-2](\"https:\/\/i0.wp.com\/sabinabranduse.ro\/blog\/wp-content\/uploads\/2018\/03\/mat_7967-2-1-scaled.jpg?w=377&h=252&ssl=1\" "\\"MAT_7967-2")
<\/a> <\/div> <\/div> <\/div> ![\"MAT_7971\"](\"https:\/\/i0.wp.com\/sabinabranduse.ro\/blog\/wp-content\/uploads\/2018\/03\/mat_7971-scaled.jpg?w=479&h=319&ssl=1\" "\\"MAT_7971\\"")
<\/a> <\/div> <\/div> ![\"MAT_7983\"](\"https:\/\/i0.wp.com\/sabinabranduse.ro\/blog\/wp-content\/uploads\/2018\/03\/mat_7983-scaled.jpg?w=466&h=319&ssl=1\" "\\"MAT_7983\\"")
<\/a> <\/div> <\/div> ![\"MAT_7996\"](\"https:\/\/i0.wp.com\/sabinabranduse.ro\/blog\/wp-content\/uploads\/2018\/03\/mat_7996-scaled.jpg?w=213&h=319&ssl=1\" "\\"MAT_7996\\"")
<\/a> <\/div> <\/div> <\/div> <\/div>\n![\"29356256_2037740879574941_7449899256296505344_o.jpg\"](\"https:\/\/i0.wp.com\/sabinabranduse.com\/wp-content\/uploads\/2018\/04\/29356256_2037740879574941_7449899256296505344_o.jpg?resize=1170%2C780&ssl=1\")
<\/p>\n![\"MAT_8105\"](\"https:\/\/i0.wp.com\/sabinabranduse.com\/wp-content\/uploads\/2018\/03\/mat_8105.jpg?resize=622%2C1024&ssl=1\")
<\/p>\n![\"MAT_8090\"](\"https:\/\/i0.wp.com\/sabinabranduse.com\/wp-content\/uploads\/2018\/03\/mat_8090.jpg?resize=1170%2C739&ssl=1\")
<\/p>\n ![\"MAT_8115\"](\"https:\/\/i0.wp.com\/sabinabranduse.ro\/blog\/wp-content\/uploads\/2018\/03\/mat_8115-scaled.jpg?w=575&h=383&ssl=1\" "\\"MAT_8115\\"")
<\/a> <\/div> <\/div> ![\"MAT_8110\"](\"https:\/\/i0.wp.com\/sabinabranduse.ro\/blog\/wp-content\/uploads\/2018\/03\/mat_8110-scaled.jpg?w=587&h=383&ssl=1\" "\\"MAT_8110\\"")
<\/a> <\/div> <\/div> <\/div> <\/div>\n![\"MAT_8136\"](\"https:\/\/i0.wp.com\/sabinabranduse.com\/wp-content\/uploads\/2018\/03\/mat_8136.jpg?resize=1170%2C731&ssl=1\")
<\/p>\n![\"IMG_5727\"](\"https:\/\/i0.wp.com\/sabinabranduse.com\/wp-content\/uploads\/2018\/03\/img_5727.jpg?resize=1170%2C780&ssl=1\")
<\/p>\n![\"MAT_0173\"](\"https:\/\/i0.wp.com\/sabinabranduse.com\/wp-content\/uploads\/2018\/03\/mat_0173.jpg?resize=1170%2C747&ssl=1\")
<\/p>\n ![\"MAT_0185\"](\"https:\/\/i0.wp.com\/sabinabranduse.ro\/blog\/wp-content\/uploads\/2018\/03\/mat_0185-scaled.jpg?w=777&h=518&ssl=1\" "\\"MAT_0185\\"")
<\/a> <\/div> <\/div> ![\"MAT_0187\"](\"https:\/\/i0.wp.com\/sabinabranduse.ro\/blog\/wp-content\/uploads\/2018\/03\/mat_0187-scaled.jpg?w=385&h=257&ssl=1\" "\\"MAT_0187\\"")
<\/a> <\/div> ![\"MAT_0192\"](\"https:\/\/i0.wp.com\/sabinabranduse.ro\/blog\/wp-content\/uploads\/2018\/03\/mat_0192-scaled.jpg?w=385&h=257&ssl=1\" "\\"MAT_0192\\"")
<\/a> <\/div> <\/div> <\/div> ![\"MAT_8038\"](\"https:\/\/i0.wp.com\/sabinabranduse.ro\/blog\/wp-content\/uploads\/2018\/03\/mat_8038-scaled.jpg?w=561&h=401&ssl=1\" "\\"MAT_8038\\"")
<\/a> <\/div> <\/div> ![\"MAT_8041\"](\"https:\/\/i0.wp.com\/sabinabranduse.ro\/blog\/wp-content\/uploads\/2018\/03\/mat_8041-scaled.jpg?w=601&h=401&ssl=1\" "\\"MAT_8041\\"")
<\/a> <\/div> <\/div> <\/div> <\/div>\n![\"MAT_0231\"](\"https:\/\/i0.wp.com\/sabinabranduse.com\/wp-content\/uploads\/2018\/03\/mat_0231.jpg?resize=1170%2C780&ssl=1\")
<\/p>\n ![\"wolfgang_romulus_b-145\"](\"https:\/\/i0.wp.com\/sabinabranduse.ro\/blog\/wp-content\/uploads\/2018\/04\/wolfgang_romulus_b-145-scaled.jpg?w=207&h=271&ssl=1\" "\\"wolfgang_romulus_b-145\\"")
<\/a> <\/div> <\/div> ![\"wolfgang_romulus_b-153\"](\"https:\/\/i0.wp.com\/sabinabranduse.ro\/blog\/wp-content\/uploads\/2018\/04\/wolfgang_romulus_b-153-scaled.jpg?w=408&h=271&ssl=1\" "\\"wolfgang_romulus_b-153\\"")
<\/a> <\/div> <\/div> ![\"wolfgang_romulus_b-160\"](\"https:\/\/i0.wp.com\/sabinabranduse.ro\/blog\/wp-content\/uploads\/2018\/04\/wolfgang_romulus_b-160-scaled.jpg?w=543&h=271&ssl=1\" "\\"wolfgang_romulus_b-160\\"")
<\/a> <\/div> <\/div> <\/div> <\/div>\n ![\"MAT_8054\"](\"https:\/\/i0.wp.com\/sabinabranduse.ro\/blog\/wp-content\/uploads\/2018\/03\/mat_8054-scaled.jpg?w=776&h=514&ssl=1\" "\\"MAT_8054\\"")
<\/a> <\/div> <\/div> ![\"MAT_8066\"](\"https:\/\/i0.wp.com\/sabinabranduse.ro\/blog\/wp-content\/uploads\/2018\/03\/mat_8066-scaled.jpg?w=386&h=257&ssl=1\" "\\"MAT_8066\\"")
<\/a> <\/div> ![\"MAT_8060\"](\"https:\/\/i0.wp.com\/sabinabranduse.ro\/blog\/wp-content\/uploads\/2018\/03\/mat_8060-scaled.jpg?w=386&h=253&ssl=1\" "\\"MAT_8060\\"")
<\/a> <\/div> <\/div> <\/div> <\/div>\n ![\"h\"](\"https:\/\/i0.wp.com\/sabinabranduse.ro\/blog\/wp-content\/uploads\/2018\/04\/h-scaled.jpg?w=765&h=532&ssl=1\" "\\"h\\"")
<\/a> <\/div> <\/div> ![\"wolfgang_romulus_b-311\"](\"https:\/\/i0.wp.com\/sabinabranduse.ro\/blog\/wp-content\/uploads\/2018\/04\/wolfgang_romulus_b-311-scaled.jpg?w=397&h=264&ssl=1\" "\\"wolfgang_romulus_b-311\\"")
<\/a> <\/div> ![\"wolfgang_romulus_b-309\"](\"https:\/\/i0.wp.com\/sabinabranduse.ro\/blog\/wp-content\/uploads\/2018\/04\/wolfgang_romulus_b-309-scaled.jpg?w=397&h=264&ssl=1\" "\\"wolfgang_romulus_b-309\\"")
<\/a> <\/div> <\/div> <\/div> <\/div>\n![\"MAT_0444\"](\"https:\/\/i0.wp.com\/sabinabranduse.com\/wp-content\/uploads\/2018\/03\/mat_0444.jpg?resize=1170%2C714&ssl=1\")
<\/p>\n![\"MAT_0534\"](\"https:\/\/i0.wp.com\/sabinabranduse.com\/wp-content\/uploads\/2018\/03\/mat_0534.jpg?resize=1170%2C730&ssl=1\")
<\/p>\n![\"12\"](\"https:\/\/i0.wp.com\/sabinabranduse.com\/wp-content\/uploads\/2018\/03\/12.jpg?resize=1100%2C719&ssl=1\")
<\/p>\n
\nWolfgang \u2013\u00a0FLORIN HRI\u0162CU
\n<\/a>Fantoma tat\u0103lui \u2013\u00a0ANDREI MERCHEA-ZAPOTO\u0162KI<\/a><\/strong>
\nVecinul \u2013\u00a0MIRCEA POSTELNICU
\n<\/a>Mama lui Wolfgang \u2013\u00a0<\/a>LOREDANA GRIGORIU<\/a><\/strong>
\nPrietenul\u00a0lui Wolfgang \u2013\u00a0EMANUEL BECHERU<\/a><\/strong>
\nFemeia \u2013\u00a0CRISTINA MIH\u0102ILESCU<\/a><\/strong>
\nBijutierul \u2013\u00a0VALENTIN FLOREA<\/a><\/strong>
\nMama Fabianei \u2013\u00a0SABINA BR\u00c2NDU\u015eE<\/a><\/strong><\/p>\n